Yoga
Tuesday 2 April 20196:30 pm - 9:30 pm
£5 The Community Space
Yoga at The Tin – Relax the body, calm the mind.
£5.00 per session
1hr 20min sessions – 6.30pm and 8pm start
Yoga
Tuesday 2 April 2019
Tai Chi
Wednesday 3 April 20197:00 pm - 8:30 pm
£5 The Community Space
Tai Chi Returns on May 15th
Tai chi combines deep breathing and relaxation with flowing movements. Originally developed as a martial art in 13th-century China, tai chi is today practiced around the world as a health-promoting exercise.
Regular Tai Chi classes have returned to the Tin led by Patrick.
Tai Chi
Wednesday 3 April 2019
Scratch Nights
Wednesday 3 April 20198:00 pm - 11:00 pm
£3 on the door The Tin At The Coal Vaults
BLINDSPOT THEATRE & THE TIN MUSIC AND ARTS
Starting in April, Blindspot Theatre will be hosting new scratch nights at The Tin Music and Arts. It’s a chance for you to bring that script, scene, or speech you’ve been working on into the spotlight.
- Scenes and rehearsed readings (new work only)
- Monologues
- Stand-up comedy
- Sketch comedy
- Improv
- Spoken word or poetry
WHAT IS A SCRATCH NIGHT?
Think of it like an open mic but for theatre. Just bring yourself, your work, and get your name down to perform.
A scratch night is an opportunity to show work-in-progress performances so you can test them in front of an audience and get feedback. There are multiple acts and each one has a slot of up to 15 minutes where the stage is yours. The performances are nice and stripped back, that means minimal tech and set so the focus is all on your work.
See Blindspot website for more info on Scratch Nights and how book your spot.
https://www.blindspottheatre.co.uk/scratch
Scratch Nights
Wednesday 3 April 2019
Tai Chi
Thursday 4 April 201912:30 pm - 2:00 pm
£5 The Community Space
Tai Chi Returns on May 15th
Tai chi combines deep breathing and relaxation with flowing movements. Originally developed as a martial art in 13th-century China, tai chi is today practiced around the world as a health-promoting exercise.
Regular Tai Chi classes have returned to the Tin led by Patrick.
Tai Chi
Thursday 4 April 2019
Yoga
Thursday 4 April 20196:30 pm - 9:30 pm
£5 The Community Space
Yoga at The Tin – Relax the body, calm the mind.
£5.00 per session
1hr 20min sessions – 6.30pm and 8pm start
Yoga
Thursday 4 April 2019
Lavinia Blackwall (full Band Show)
Thursday 4 April 20198:00 pm - 11:00 pm
£8.00 adv / £10 door The Tin At The Coal Vaults
Lavinia Blackwall (full Band Show)
Thursday 4 April 2019
Mario Bakuna and Edmundo Carneiro
Saturday 6 April 20198:00 pm - 11:00 pm
£8 adv - £6 adv conc / £10 Door - £8 Door conc. The Tin At The Coal Vaults
Mario Bakuna and Edmundo Carneiro
Saturday 6 April 2019
Canal Basin Open Day
Sunday 7 April 201910:00 am - 4:00 pm
Free! The Tin At The Coal Vaults
Riley Archive Project have their first Event in their own right, at the Canal Basin in Coventry.
As part of the process with City of Coventry, of increasing awareness of Riley and progressing to a base for the Archive, six Rileys will be on display at the Canal Basin Open Day, ranging from Brooklands Nine, to 12/4 Falcon, ex.Police RMB, 1.5, Elf and maybe a 1.5 racer.
The location of the event is significant as almost certainly it is where the Riley Archive will be established. Come along and find out more!
Entry is FREE!
Canal Basin Open Day
Sunday 7 April 2019
Shoot Festival presents Sound: In Bloom
Sunday 7 April 20195:00 pm - 7:30 pm
£7 adv (gets you into open mic / £9 door The Tin At The Coal Vaults
Line-up
- The Mechanicals
- Callum Pickard & The Third Look
- They Come For You In The
Shoot Festival presents Sound: In Bloom
Sunday 7 April 2019
Open Mic (Parental Advisory)
Sunday 7 April 20198:00 pm - 11:00 pm
The Tin At The Coal Vaults
Come on down to the Tin to experience live, local acts int the atmospheric Coal Vaults.
Musicians are encouraged to come down and play on the night, although there are limited slots, so it’s first come first served.
This weeks Open Mic will also act as the final statement from Coventry’s number one glam-garage sex-and-violence dreamboats ‘Deathsex Bloodbath‘. Therefore this weeks open mic may not be suitable for under 18s.
£1 only for Entry
Open Mic (Parental Advisory)
Sunday 7 April 2019
Yoga
Tuesday 9 April 20196:30 pm - 9:30 pm
£5 The Community Space
Yoga at The Tin – Relax the body, calm the mind.
£5.00 per session
1hr 20min sessions – 6.30pm and 8pm start
Yoga
Tuesday 9 April 2019
Marker Starling & Ian Daniel Kehoe
Tuesday 9 April 20198:00 pm - 11:00 pm
£7 adv / £9 otd The Tin At The Coal Vaults
After recording and performing for many years under the name of Mantler, Toronto’s Chris A. Cummings changed his band name to Marker Starling in 2012. A solo performer for much of his career, Cummings was frequently seen playing Melancholy Party Jams on a Wurlitzer electric piano, with drum machine accompaniment.
After a longtime association with Germany’s Tomlab label, who released the second, third and fourth Mantler records (SADISFACTION, LANDAU and MONODY) Cummings began working with Tin Angel in 2010, when they co-released MONODY and released fifth album ROSY MAZE to great acclaim in 2015. In 2016 ROSY MAZE was released in Japan by 7e.p. Records, who also brought Cummings to Japan for the first time.
Cummings has collaborated with the German band Von Spar, contributing vocals and lyrics to four songs on their album STREET LIFE. His song “Deep Background” was recorded by Stereolab’s Laetitia Sadier and will appear on her upcoming solo record FIND ME FINDING YOU.
Now with the release of TRUST AN AMATEUR his eighth full length as Marker Starling, Toronto troubadour Chris A Cummings captures in crystalline pop a time in his life full of birth, death, life, loss, endings and renewal. Reeling from the death of a close friends and collaborator, two years after the birth of his first child. He asks questions about morality, searching for their answers on tracks led by gorgeous drifts of airy Wurlitzer keyboard calm. TRUST AN AMATEUR is both minimalist in sound, but profound in message: an expert songwriter pushing his poetry to a brave new existential brink.
It seems now that Ian Daniel Kehoe has been hiding in plain sight. A classic songwriter pulling from a seemingly endless supply of hooks, dancing through his debut video in silver face paint and an assortment of wide shouldered sports jackets, Kehoe appears somewhat like an apparition, an emissary from a better world.
SECRET REPUBLIC, Kehoe’s debut under his own name, is an entirely self-assured first record, ten confident, immaculate pop songs, drenched in analog synth and punchily articulate in their pursuit of love, beauty and rhythm. Recorded and performed entirely by Kehoe himself, the record is an introduction to this world, one where melody reigns supreme, every love is a true love, and the singer searches endlessly for “prizes through the mazes of the jungle, prizes at the tips of the poles.”
While SECRET REPUBLIC may be a debut, Kehoe has appeared on the musical scene in various guises. For the past few years, he has toured extensively as a drummer for Andy Shauf (Anti Records), The Weather Station (Paradise of Bachelors), and Julia Jacklin (Polyvinyl). Before that, he was bassist and songwriter in Attack in Black (Dine Alone Records), while releasing several records as Marine Dreams (You’ve Changed). But SECRET REPUBLIC is something entirely new; the debut of Kehoe as a preternaturally confident front man and producer, with a tight grasp on every musical weapon at his disposal.
Kehoe has always been a disciple of pop music, in the most traditional sense of the word. A lover of Nick Lowe, Harry Nilsson and Cindy Lauper. Kehoe adheres to the idea that music should be moved to, danced to, sung along to. Many of the songs on SECRET REPUBLIC are constructed as crowd pleasers, songs to be played from bleachers, soundtracks to first dances and first kisses, songs that could sit alongside ‘Girls Just Wanna Have Fun’ on a radio DJ playlist circa 1983. But to Kehoe, this is both the most serious thing in the world, and also not serious at all. And this is borne out on SECRET REPUBLIC, a record which could soundtrack a love either deep or glancing, a record both heavy and feather light.