Events – The Tin Music and Arts

Filter by:

Click here for audio listings

IVW: The Orielles
Wednesday 28 January 2026
7:30 pm - 11:00 pm
Advance £15 (+ booking fee)
The Tin At The Coal Vaults

With a reputation for hypnotic live performances, The Orielles continue to challenge the limits of modern indie music – and this is your chance to see them up close in one of the UK’s most intimate and vital grassroots venues.

Support local, support live, and immerse yourself in one of the standout gigs of IVW.

14+ Show (Under 18s to be accompanied by an adult)

Doors 7:30pm – Start 8pm

<br />

IVW: Big Sexy Noise (Lydia Lunch w/ Gallon Drunk)
Thursday 29 January 2026
7:30 pm - 11:00 pm
£19.50adv (+ booking fee)
The Tin At The Coal Vaults

The unholy triumvirate of Big Sexy Noise featuring Lydia Lunch, James Johnston (Nick Cave, PJ Harvey, Faust) & Ian White (Barry Adamson) of the notorious Gallon Drunk are dead set on proving once more that ROCK is alive and kicking, down and dirty and raunchier than ever!

14+ Show (Under 18s to be accompanied by an adult)

Doors 7:30pm – Start 8pm

IVW: Main Sheriff
Friday 30 January 2026
7:30 pm - 11:00 pm
Advance £10 + BF
The Tin At The Coal Vaults

What’s that?

Blowing in on the wind, from West Coventry and the Greens of Arley,there’s a new old sound in the air.Melting the country flavours of melody, harmony and pedal steel with thedriving core of rhythm, no blues and art rockit’s 6 piece of differentmusical histories with a new shared future.Drawing from a well of David Berman, Wilco, The VU through a filter ofEnglish pop: an album is recorded, singles are slated and gigs arebooked.

In 2026 there will be a new Sheriff intown, the Main one.

Support from Permanent Daylight + Fool & Danger

14+ Show (Under 18s to be accompanied by an adult)

Doors 7:30pm – Start 8pm

IVW: Hedera – Matinee (All Ages)
Saturday 31 January 2026
2:00 pm - 4:30 pm
Advance (16+) £12 | Under 16s £8 (+ booking fee)
The Tin At The Coal Vaults

Hedera is a chamber folk project from Bristol featuring Lulu Austin (violin), Maisie Brett (violin, viola), Tamsin Elliott (accordion, harp), Beth Roberts (double bass, violin) and Isis Wolf-Light (clarinets). They perform original and traditional pieces inspired by music from England, Scotland, France, Bali, Georgia, Bulgaria, Ethiopia and beyond, translated through a prism of experimental minimalism and contemporary classical influences. Their eponymous debut album is a collection of twelve original & traditional tunes that reflect their craft as composers, tune-interpreters and collaborative arrangers (due for release in February 2026).

All ages show – Under 18s to be accompanied by an adult

Matinee Show – Doors 2pm – Start 2:30pm – 90 minute set

<br />

IVW: Karma Sheen + The Forty Fours + Batsch + Paul Toller | Ellipse
Saturday 31 January 2026
7:30 pm - 11:00 pm
Early birds £8.50 | Advance £10 (+ booking fee)
The Tin At The Coal Vaults

Ellipse present Karma Sheen + Batsch + Paul Toller (+ more TBA)

Hailing from cosmopolitan London, the music of Karma Sheen merges Hindustani classical, fuzzy 60s rock a la Jimi Hendrix, and Sufi inspired lyricism, deeply rooted in cultural heritage. Spearheaded by Sameer Khan, who is formally trained by a 600-year-old lineage of musicians from modern-day Pakistan, Karma Sheen brings timeless traditions to new realms, captivating audiences along the way. Through embracing the Hindustani format while drinking from retro aesthetics and re-signifying it all with the avant gardism of neo-psychedelia, they create something both recognisable and new. It is guaranteed you will not find another band who sound like Karma Sheen

14+ Show (Under 18s to be accompanied by an adult)

Doors 7:30pm – Start 8pm

<br />

Stealing Sheep
Friday 6 February 2026
7:30 pm - 11:00 pm
£15adv (+ booking fee)
The Tin At The Coal Vaults

Stealing Sheep – The Avant-Pop Rebels You Should Have Been Listening To All Along.

You might have stumbled across Stealing Sheep before—maybe their debut single ‘Shut Eye’ snuck into your feed as a rogue viral meme, lurking in the obscure corners of YouTube and TikTok. But if you haven’t been paying attention, now’s the time.

12+ Show (Under 18s to be accompanied by an adult)

<br />

Cheap Dirty Horse + Support
Friday 13 February 2026
7:30 pm - 11:00 pm
Advance £8.80 (inc booking fee)
The Tin At The Coal Vaults

Cheap Dirty Horse are a big rowdy queer trash folk-punk band from Nottingham. Blending acoustic and electric guitar with banjo, accordion, bass, drums, and sometimes mandolin, they write energetic, joyful protest music. They sing about trans rights, dead billionaires, and the importance of doing the things you love. They sing about grief, octopuses, and stealing shit. Angry, but always empowering.

14+ (Under 18s to be accompanied by an adult)

From the Vaults x Central Committee: We are Making a Film about Mark Fisher + Q&A with Simon Poulter
Sunday 15 February 2026
5:30 pm - 9:00 pm
Advance £5.50 (inc booking fee)
The Tin At The Coal Vaults

We Are Making a Film About Mark Fisher + Q&A with Simon Poulter

Doors 5:30pm – Film start 6pm

We Are Making a Film About Mark Fisher is a film made between October 2024 and now using an instagram account. Over a year of research, social media conversations and creative collaboration, artists Simon Poulter and Sophie Mellor set out to explore what it means to “manifest” a work using social media.

The Instagram account was both studio and meeting place and the project grew accordingly – through research, reading, posts and the gradual response to this. Out of this came an evolving community of artists, thinkers and fans of Fisher’s writing. In the year-long period, all of the parts of the film were made and several shoots took place, notably in Felixstowe and Thamesmead.

The story is built around ‘Professor Parkins’, a character played by Justin Hopper, who jumps out of an early 1900s ghost story into the present day and narrates what has happened, encountering Mark Fisher’s ideas and life.

The film moves through the key ideas that defined Mark Fisher’s thinking – hauntology, capitalist realism, the CCRU, K-punk, and the unfinished concept of ‘acid communism’. In the film we also meet people who knew or worked with Mark Fisher, including Jodi Dean and Andy Beckett.

For students and people coming fresh to Mark Fisher, we recommend his books ‘Capitalist Realism’ and ‘ Ghosts of My Life’. Fisher’s writing is intensely personal but reaches out to successive generations, because he is so good at describing the conditions of late stage capitalism.

At its core, the film project is “de-capitalised” – just a network of people making something together over a period of time. In this way it is a refusal of the market logic that Fisher critiqued, and an experiment in what collective creativity might look like in the 2020s.
The film ends in the room that it is screened in. We ask people to continue the discussion and take forward some of the ideas. The most important ones, that Mark Fisher talked about and enacted, are solidarity and kindness.

Sink or Swim present Slash Need + The Mall + Hey Budapest!
Tuesday 17 February 2026
7:30 pm - 11:00 pm
Advance £12 (+ booking fee)
The Tin At The Coal Vaults

Slash Need:

A confrontational, camp and seductive dramaturge. Toronto’s industrial performance art outfit Slash Need have earned a reputation, for putting on high-energy theatrical live performances. The group craft songs that slither, satirize, and scream.

Served up raw, Slash Need’s distinct style of propulsive techno and metallic darkwave serves as the backdrop to an unpredictable, ever-changing, and communal performance piece.

The Mall:

The Mall is music for punks who dance. In the suburban wasteland of middle America, malls exist as decaying artifacts of conspicuous consumption–forgotten tombs haunted by the ghosts of capitalism’s failures. Using sequencers and analog synths, the Mall’s Mark Plant raises the dead to get glamorous amidst decay. Fusing the shimmering, plastic qualities of 80s dance electronica with the punishing, visceral energy of midwestern hardcore, the Mall soundtracks the liminal space between beauty and anger, celebration and cynicism, resilience and destruction. Performances are as ephemeral as kisses in a movie theater in 1987–and more lethal than radiation fallout from a space probe. The Mall experience is spasming, ecstatic technical disaster.

Hey Budapest:

Coventry’s newest Industrial Techno Fiend

14+ Show (Under 18s to be accompanied by an adult)

Sink or Swim present KEELEY + Atalhos
Thursday 19 February 2026
7:30 pm - 11:00 pm
£10 early bid | £12 adv (+ booking fee)
The Tin At The Coal Vaults

Batsch release their long awaited third album, Very Well LP.
With support from special guests, Project Overload, and live visuals from Glitched Liquid.
—
Batsch are a unique avant-pop ensemble who have been experimenting with synth pop, disco and jazz throughout the last decade. Having started out as Don’t Move!, a four-piece, with acclaimed soda-pop artist Pink Shabab on bass, the latest incarnation of the band is an energetic duo, consisting of Mason Le Long on synth, guitar and vocals, and Matt Rheeston on drums, samples and vocals.

Having served for many years as a house band for Tin Angel Records, Batsch toured extensively with artists such as Laetitia Sadier, Marker Starling, Nicholas Krgovich, Devon Sproule, and John Moods. Over the years, Batsch have continued their collaborations with global artists, featuring on compilation albums such as 2015’’s Dear Janet, a love letter to Janet Jackson, alongside artists such as Tune-Yards, Deradoorian and Nicholas Krgovich, and remixed tracks for the likes of Pick a Piper (Caribou drummer). In addition to this, Le Long, operates from his DIY studio, mastering acclaimed albums for the likes of Mabe Fratti and Crack Cloud, while Rheeston fuses angular rhythms and soulful melodies through original beats, in his side-project, Riizbo.

In Le Long’s words, on the subject of the natural evolution of their sound since becoming a duo, ‘a recent shift away from the 70s, dead, ‘teatowelled’ drum kit to a high-tuned, bebop-sounding, mid-60s Olympic kit has been significant in the development of our sound, informing our decision-making, and the way Matt plays.’

Their latest singles, ‘Too Few’, ‘Knew No Different’ and ‘Golden Summer’, are fine examples of their new ‘self-sampling’ approach. These tracks have gained some success, including press features in Mystic Sons, Brooklyn Vegan, Atwood Magazine, With Guitars, and radio plays on BBC 6Music, Amazing Radio, KZ Israel and Simone Marie’s Naked Lunch show on Soho Radio.

14+ Show (Under 18s to be accompanied by an adult)

Hot Music Live: Izzy Derry + Sophie Hadlum + Croissant + Brass Hip Flask
Friday 20 February 2026
7:30 pm - 11:00 pm
£6.50adv (+ booking fee)
The Tin At The Coal Vaults

Hot Music Live presents: Izzy Derry + Sophie Hadlum + Croissant + Brass Hip Flask

This is a seated show with limited tickets

14+ Show (Under 18s to be accompanied by an adult)

Finding Ways Ft Sebastian Rochford
Sunday 22 February 2026
7:30 pm - 11:00 pm
£16 adv | Student/unwaged £12 (+ booking fee)
The Tin At The Coal Vaults

Seb Rochford’s Finding Ways

In 2003, drummer Sebastian Rochford formed Polar Bear – a contemporary jazz group that, over the next decade, helped define a new era in British music. Their sound was bold, open-hearted, and influential, earning two Mercury Prize nominations and widespread acclaim. Since then, Seb’s distinctive voice has been heard across a broad spectrum of music, collaborating with artists including Patti Smith, Damon Albarn, Grace Jones and Brian Eno. This year he returns as a bandleader with Finding Ways, layering up to three guitars at a time around his drums and bass, the album featuring ten different guitarists. He’s joined by a remarkable set of collaborators and guests including – Tara Cunningham, David Preston and Anders Christensen – each adding something unmistakably their own and it’s this space they’re given to be themselves that defines the sound. This is honest music-making. Nothing is forced. Nothing boxed in. Finding Ways. That’s what Seb is doing—musically, emotionally, personally.

‘The Finding Ways music is about Finding Ways to keep positive and navigate the world around us’.

14+ Show (Under 18s to be accompanied by an adult)

1 2 3 >