Two Wings + Doug Tielli (Album Launch Show)

Wednesday 06 November 2013 8:00 pm - 11:30 pm
£6 Adv / £4 Concessions

Two Wings were formed in 2009 when singer/multi-instrumentalist/visual artist Hanna Tuulikki and guitarist/singer Ben Reynolds finally sat down and wrote a song together after years of crossing paths in Glasgow’s ever-fecund left-field music scene(s).

Tuulikki’s experimental song-based project Nalle was described by Wire Magazine as “easily some of the most convincing free-folk the UK has ever produced”. Tuulikki was also a member of free form jazz folk ensemble Scatter and the Family Elan.
Reynolds’ numerous releases as a solo artist include the 2009 solo guitar album How Day Earnt Its Night, released by New York’s Tompkins Square Records. Reynolds was also a guitarist in critically acclaimed psych-folk band Trembling Bells, and has collaborated with Alasdair Roberts and Baby Dee.

As something clicked between Reynolds and Tuulikki, more songs followed, and Two Wings took flight with a glorious hybrid of Ceilidh band stomp, deep-fried Acid-Country twang, 1970s Me Generation Soft Rock harmonies, Memphis soul, Olde English mediaeval-isms and the noise and smoky breath of basement bar folk dives when the ‘F’ word still meant something magical. All this was channelled into Two Wings’ world even more as they expanded to incorporate fellow travellers Duncombe, Wilson and Williams. Two Wings became a roaring, raucous beast of a band, and most of the fruits of Reynolds and Tuulikki’s song-writing partnership appeared on their debut album, Love’s Spring, released on Tin Angel Records in 2012.

“a warm-hearted fusion of vintage Americana and English folk-rock, complete with brass fanfares and soaring guitar breaks” – The List

“Their approach is still earthy and ramshackle, and as ever, Tuulikki’s voice instantly identifiable and oddly passionate” – The Wire

Doug Tielli – ‘Keresley’ Album Release Show
Hints of African high life, British folk, free-improvisation, Brazilian spirituals and blue eyed soul gracefully come together in Doug Tielli’s second release, Keresley. The record is a wide spray of textures, dynamics and styles and feels unified by Doug’s fluid voice and musicianship. Voice, guitar, percussion and brass don’t just outline a melody, they resonate as one with grace and simplicity. Doug Tielli uses his songs to translate the natural and the un-natural world around him.

These translations have become the sonic environment of Keresley.
Named after the village-come-suburb, Keresley, on the outskirts of Coventry, England, where after a short U.K. tour, Doug took up temporary residence after missing a flight back to his home in Toronto. He spent the next two months walking a dog, drawing, dreaming, and recording this album. The sounds and songs of Keresley are as natural and unlaboured as the world Doug Tielli describes:

“The magic of Keresley is not on the surface. Those fields under all kinds of skies are always wondrous. The grass got long, and filled with wildflowers, and red-purple grasses, the sky rolled with low, heavy clouds, and occasionally sun, flitted with birds. Fathers and sons, old Scotsmen … everyone with a dog … would share a few words and stories with me from time to time.

When the grass was tall enough – in June or so, I lay down, fully hidden to any who passed by … though I did worry that I would be spotted somehow, and thought unusual – which I am and am not at the same time, you know what I mean.”

The music on Keresley is like all of this and that – both unusual and familiar. It sounds like many different worlds, but is really just one world seen through different kaleidoscopes of perception. The songs also seem to come from a deep internal communication – dreams, the unconscious, the network of creativity – a sense of wonder in how things have come to be. Of a couple of the songs on Keresley, Doug writes:

“… sometimes songs come out and I just let them be. I have no fixed memory of where some songs come from … sometimes I am not too sure what the words mean either … I like that ambiguity – when I have no fixed idea of what something means, I can interact with it freshly, from the same place as someone hearing it for the first time, or even just as sound…”

“The words came to me first thing in the morning after a night of sleeping and singing the tune all night long – a stream of consciousness tale – the coming to be of a man-earth being, and his dissolution and reconsumation by the elements, by the forest. A jumble of the cosmic cycle.”

Kerelsey is an album of communication both inward and outward, born of a love of the earth and those who walk upon it. Somehow through going on walks in a suburb, of a mid-sized city in two of the rainiest months in recent history in England, we are transported through history and geography, from Africa, to America, to the 50’s, to folk music immemorial, to the free jazz of the 60’s, abstract prickly sounds, and warm grooviness, and unknown South American Spiritual hymns.
Doug Tielli has made a very a human record, one that speaks of a love of the landscape and those who walk upon it.

The Coal Vaults

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